Movies of the 2010s

The honor roll, continued.

1. Tabloid (dir. Errol Morris, 2010)
2. We Are the Best! (dir. Lukas Moodysson, 2013)
3. L’illusionniste (dir. Sylvain Chomet, 2010)
4. Another Year (dir. Mike Leigh, 2010)
5. It Follows (dir. David Robert Mitchell, 2014)
6. Bridesmaids (dir. Paul Feig, 2011)
7. Mission: Impossible – Ghost Protocol (dir. Brad Bird, 2011)
8. Hail, Caesar! (dir. Ethan and Joel Coen, 2016)
9. The Trip (dir. Michael Winterbottom, 2010)
10. 56 Up (dir. Michael Apted, 2012)
11. Queen & Country (dir. John Boorman, 2014)

Several of these movies were released in the previous decade, in the last weeks of 2010. So, clarification is in order.

To qualify for the list, a movie needs to have ended its first run in U.S. theaters no earlier than January 1, 2011. This is a fair criterion because I wouldn’t have been able to see several of these movies as soon as they appeared in theaters, in 2010.

Besides, if I hadn’t adopted this criterion, this would’ve been a sorry list indeed. Like the previous list, this one makes it clear that I stopped paying attention to art and culture halfway through the decade. I guess I no longer view the world with wide-eyed wonder.

Or maybe the new stuff really does lack freshness. A common complaint, nowadays, is that too many movies are sequels or prequels or adaptations. As it happens, this list includes three sequels: Mission: Impossible – Ghost Protocol, 56 Up, and Queen & Country. And the first two of these would go on to have sequels of their own (as would The Trip).

But the three sequels on the list are pretty darn cool. Mission: Impossible – Ghost Protocol revitalized an ailing franchise. Queen & Country, which seems never to have held much commercial promise, is a self-contained appendix to Hope and Glory, which was a minor hit in 1988; its very existence is miraculous.

56 Up is, of course, a part of the greatest string of sequels in documentary history; that they are sequels is their whole point.

Tabloid is not a sequel, but it’s quintessential Errol Morris. This means that it’s what 75% of those true crime docs on Netflix are trying to copy. They are Tabloid’s spiritual sequels, or they would be, if they were good enough.

Tabloid is my no. 1. I thought long and hard about making either We Are the Best! or L’illusionniste no. 1. They may as well all be tied.

The Trip and 56 Up first appeared on British TV.

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November’s poem

It’s been several days since the temperature descended from glorious heights. Almost all the leaves have died. We’ve had several frosts. The wind howled all of today; it is still howling.

Now that the porch is uninhabitable, Karin & I are making plans to clear out the spare bedroom and turn it into a play room for Samuel.

♦ ♦ ♦ ♦ ♦

Stephen David showed me this video of Brazilian referees discussing whether to award the penalty kick that led to Ecuador’s third goal against Bolivia.

The Bolivian almost surely didn’t handle the ball deliberately, but in this era of the VAR, that hardly matters. You can hear these referees talking about the defender’s having abierto la masa corporal – i.e., he had extended his bodily mass (of course, the operative concept is surface area, not mass). It’s notable that the defender “enlarged his body” before the shot was taken. The video shows the ball striking the arm after a ricochet, but the arm had occupied its “enlarged” position for some time.

If such refereeing were applied consistently, defenders would have to train themselves to keep their arms next to their sides inside the penalty box or else risk conceding a penalty kick for involuntarily handling. This would make it harder for defenders to balance themselves inside the penalty box. This, in turn, would allow attackers to easily dribble or pass around them very near to the goal.

I wonder if it would gradually improve the sport. Teams would have a strong incentive to defend well outside of the box.

Defensive bunkers might be abandoned or at least moved farther away from the goal, toward the middle of the field. There would be less clustering at either end.

Soccer would again become a full-field game – less like basketball, more like itself.

♦ ♦ ♦ ♦ ♦

This month’s poem – from the movie We Are the Best! – is called “Hate the Sport!”

⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯

Nature is fully polluted
But you only care about the recruited
Children cry and scream
You only care about your soccer team
The world is a morgue
But you’re watching Björn Borg
Hate the sport
Hate the sport
Your team is winning
Oil companies are sinning
Hate the sport
Time to abort
Hate the sport
Hate the sport
Hate the sport
Hate the sport
People die and scream
But all you care about is your high-jump team
Children in Africa are dying
But you’re all about balls flying: hate the sport, yeah!

⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯

(English subtitles – translated from the Swedish)