Body-text fonts, pt. 33: Century Old Style

The “Century” fonts – ITC Century, Century Expanded, Century Old Style, Century Schoolbook, etc. – aren’t as similar as one would expect. This is explained by font-writer Allan Haley:

Century Old Style (this month’s fêted font)
has more character and personality than the other Century designs. It is the red-headed, freckle-faced member of the family.
And why is that?
Not really an Old Style design [the other “Century” fonts aren’t, either], … it does have … angled serifs in the lowercase and a flavor of Old Style traits.
Ah, yes, I see what Halley means. The font is hardly Centaurish (for instance), but it’s also not abjectly un-Venetian.

Also notable is Century Old Style’s wonky uppercase “C.”

The font’s general plainness and its quirks ensure that it
almost cannot be used in an inappropriate application, and it virtually cannot be overused. Where other typefaces, which have a similar range of abilities, can become commonplace or unexciting (sort of typographic vanilla), Century Old Style maintains a personality and a presence (more like French vanilla).
I couldn’t have put it better myself.

Some pulpy Vintage Black Lizard crime novels (e.g., by Jim Thompson) are set in Century Old Style. Alas, I can’t find a worthy specimen to post here.

Instead, here is a page from a book of old British commercial art. (The author is Robert Opie, the son of those marvelous antiquarians, Iona & Peter.)

Enlarge, please.


And here is a page from a children’s bible.


Different companies issue darker and lighter versions of Century Old Style. I’m partial to this new (absolutely free!) version. Weary of Times New Roman? Use this instead.