Body-text fonts, pt. 27: JY Alia
Rain … all week, pretty much. Last night was dry. I and the neighbors had the same idea at the same time: mow the grass.
Everyone mowed except the guy who works nights.
The guy who works construction mowed his back yard wearing his high-visibility safety vest. It must feel wrong for him, laboring while not wearing it.
The grass was wet, heavy, and long. I mowed my front and back lawns, the latter to the nub (it has been growing too fast this season). Mowing can take as little as forty-five minutes; this took eighty.
I fell asleep two hours earlier than usual.
It rained again today.
♦ ♦ ♦ ♦ ♦
I’m sorry this entry is … underwhelming. The children kept me busy tonight. They are tricky, voracious little creatures, like their father.
It is fitting, perhaps, that this month’s font sample should be taken from Jay Nordlinger’s fine book Children of Monsters.
The typeface, JY Alia, is interesting for being so uninteresting: a nondescript blending of Bembos, Garamonds, and Jansons (in which manner it’s like the more famous Hoefler Text). I might not have identified JY Alia but for the lowercase italic “y”: look at “Daily Mail” above, and compare it to this professional specimen. I’ve never seen JY Alia in anything else.
Everyone mowed except the guy who works nights.
The guy who works construction mowed his back yard wearing his high-visibility safety vest. It must feel wrong for him, laboring while not wearing it.
The grass was wet, heavy, and long. I mowed my front and back lawns, the latter to the nub (it has been growing too fast this season). Mowing can take as little as forty-five minutes; this took eighty.
I fell asleep two hours earlier than usual.
It rained again today.
♦ ♦ ♦ ♦ ♦
I’m sorry this entry is … underwhelming. The children kept me busy tonight. They are tricky, voracious little creatures, like their father.
It is fitting, perhaps, that this month’s font sample should be taken from Jay Nordlinger’s fine book Children of Monsters.
The typeface, JY Alia, is interesting for being so uninteresting: a nondescript blending of Bembos, Garamonds, and Jansons (in which manner it’s like the more famous Hoefler Text). I might not have identified JY Alia but for the lowercase italic “y”: look at “Daily Mail” above, and compare it to this professional specimen. I’ve never seen JY Alia in anything else.