Some Catholic (and some non-Catholic) writers
It used to be, whenever I’d learn of a book I didn’t own, I’d have to go to Amazon right away to buy it. But now I’m a faculty member at two different colleges. I have borrowing privileges all out of proportion to what I do for anybody.
So if J.H. posts a link to the effect that Malcolm Muggeridge’s autobiography was the best autobiography that Mark Noll claimed ever to have read, I can say, “Oh, it’s in the stacks at Bethel,” and a few minutes later I’ll have walked to the campus and secured the book for the next six months.
It turns out that Muggeridge is the insufferable sort of writer whose every sentence is a gemstone. But whatever. I have the book. It feels good in my hand, and the font is nice. The cover has a blurb from someone cranky and pompous:
And the title reminds me of:
Or if Madame mentions Bird by Bird by Anne Lamott, and I’m at IUSB, I can go to that library and soon the book is in my hand distracting me from the papers I should grade. Anne Lamott repeats her cleverest bits over and over, as Muriel Spark used to do. Anne Lamott must have learned from Muriel Spark, because she pays a sort of tribute to her:
Now, you might wonder why my tone is so grouchy, why I’m so critical of these undeniably fine writers. Well, (1) I’m a grouchy guy; and (2) they were grouchy first, and when I was at a tender age I figured out, by reading such people, that eloquence could atone for being a grouch. Up to a point.
So if J.H. posts a link to the effect that Malcolm Muggeridge’s autobiography was the best autobiography that Mark Noll claimed ever to have read, I can say, “Oh, it’s in the stacks at Bethel,” and a few minutes later I’ll have walked to the campus and secured the book for the next six months.
It turns out that Muggeridge is the insufferable sort of writer whose every sentence is a gemstone. But whatever. I have the book. It feels good in my hand, and the font is nice. The cover has a blurb from someone cranky and pompous:
And the title reminds me of:
He had published eight books … concluding, at the moment, with Waste of Time, a studiously modest description of some harrowing months among the Patagonian Indians.♦ ♦ ♦ ♦ ♦
Or if Madame mentions Bird by Bird by Anne Lamott, and I’m at IUSB, I can go to that library and soon the book is in my hand distracting me from the papers I should grade. Anne Lamott repeats her cleverest bits over and over, as Muriel Spark used to do. Anne Lamott must have learned from Muriel Spark, because she pays a sort of tribute to her:
I know some very great writers, writers you love who write beautifully and have made a great deal of money, and not one of them sits down routinely feeling wildly enthusiastic and confident. Not one of them writes elegant first drafts. All right, one of them does, but we do not like her very much. We do not think that she has a rich inner life or that God likes her or can even stand her.That person must be Muriel Spark because, a few lines later, Lamott says:
Now, Muriel Spark is said to have felt that she was taking dictation from God every morning – sitting there, one supposes, plugged into a Dictaphone, typing away, humming. But this is a very hostile and aggressive position. One might hope for bad things to rain down on a person like this.And soon I’m looking for evidence that Lamott herself is of the Roman church, but no, either she isn’t or I’m a bad researcher. And anyway she’s different from those other writers because she’s more explicitly self-effacing.
Now, you might wonder why my tone is so grouchy, why I’m so critical of these undeniably fine writers. Well, (1) I’m a grouchy guy; and (2) they were grouchy first, and when I was at a tender age I figured out, by reading such people, that eloquence could atone for being a grouch. Up to a point.