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January’s poetry

… reminisces about the Trojan Horse.

I’ve begun watching The Secret Lives of Mormon Wives, my first “real housewives”-type show. The religious angle picqued my interest. (The mountains are nice, too.)

So far, I’ve been struck by:

(a) The Jesus artwork in the McMansions.

(b) The very early marriages (late teens for the women). Performed in the Temple.

It’s hard to see how Mormonism or anything Christian has anything else to do with these people’s lives, even as a force to be reacted against. The characters make some half-baked references to resisting the patriarchy, but it’s clear that they just do whatever feels good at the time.

Or whatever makes money for them on TikTok.

Anyway, here is the poetry. The Greeks could have starred in one of these shows.

⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯
But Helen, child of Zeus, had other ideas.
She threw a drug into the wine bowl
They were drinking from, a drug
That stilled all pain, quieted all anger
And brought forgetfulness of every ill …

“… I couldn’t begin to tell you
All that Odysseus endured and accomplished,
But listen to what that hero did once
In the land of Troy, where the Achaeans suffered.
First, he beat himself up – gave himself some nasty bruises –
Then put on a cheap cloak so he looked like a slave,
And in this disguise he entered the wide streets
Of the enemy city. He looked like a beggar,
Far from what he was back in the Greek camp,
And fooled everyone when he entered Troy.
I alone recognized him in his disguise
And questioned him, but he cleverly put me off.
It was only after I had bathed him
And rubbed him down with oil and clothed him
And had sworn a great oath not to tell the Trojans
Who he really was until he got back to the ships,
That he told me, at last, what the Achaeans planned.
He killed many Trojans before he left
And arrived back at camp with much to report.
The other women in Troy wailed aloud,
But I was glad inside, for my heart had turned
Homeward, and I rued the infatuation
Aphrodite gave me when she led me away
From my native land, leaving my dear child,
My bridal chamber, and my husband,
A man who lacked nothing in wisdom or looks.”

And Menelaus, the red-haired king:

“A very good story, my wife, and well told.
By now I have come to know the minds
Of many heroes, and have traveled far and wide,
But I have never laid eyes on anyone
Who had an enduring heart like Odysseus.
Listen to what he did in the wooden horse,
Where all we Argive chiefs sat waiting
To bring slaughter and death to the Trojans.
You came there then, with godlike Deiphobus.
Some god who favored the Trojans
Must have lured you on. Three times you circled
Our hollow hiding place, feeling it
With your hands, and you called out the names
Of all the Argive leaders, making your voice
Sound like each of our wives’ in turn.
Diomedes and I, sitting in the middle
With Odysseus, heard you calling
And couldn’t take it. We were frantic
To come out, or answer you from inside,
But Odysseus held us back and stopped us.
Then everyone else stayed quiet also,
Except for Anticlus, who wanted to answer you,
But Odysseus saved us all by clamping
His strong hands over Anticlus’ mouth
And holding them there until Athena led you off.”
⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯

From the Odyssey, bk. 4, ll. 200–300 (approx.). Translated by Stanley Lombardo.

Some “life hacks”

(1) Stretch pants.

(2) Using the Internet to find out what’s avaliable at your local Half Price Books store.

This is harder than you might think.

The critical link:

https://www.hpb.com/search?q=&prefn1=instorePickUpAvailableStores&prefv1=HPB-131&prefn2=rareFind&prefv2=No&srule=recently-added&sz=80

Suppose that, at Christmastime, both sets of in-laws put gift cards for HPB in your stocking.

Rejoice! Be glad!

But also: How good is this “good” luck, really?

For it may be that you live in South Bend, on the West Side, and that HPB is in faraway Mishawaka (known, locally, as “BFE” or “near-BFE” [“E” is for east; “BF” is vulgar]). Who wants to trek out east twice in January to use both $5 discounts – each, activated by a separate $25 gift-card purchase – without prior knowledge of the inventory?

But HPB has online ordering!

Alas, it costs $3.99 to have each book shipped to your house.

But books in your preferred store can be reserved online and retrieved, gratis, in person.

Again, how are you to know what’s in your preferred store? (Besides by searching for one book or author at a time and then trawling through items that may or may not be in that store.)

By clicking the above link, that’s how. Behold a list of most of the books in the store.

Here’s the link again:

https://www.hpb.com/search?q=&prefn1=instorePickUpAvailableStores&prefv1=HPB-131&prefn2=rareFind&prefv2=No&srule=recently-added&sz=80

I’ve tweaked the search to exclude collectables and to show recent arrivals on top.

To add keywords (e.g., “Agatha+Christie”) to the search, type them into the web address between the first equals sign and ampersand:

https://www.hpb.com/search?q=Agatha+Christie&prefn1=instorePickUpAvailableStores&prefv1=HPB-131&prefn2=rareFind&prefv2=No&srule=recently-added&sz=80

Maybe you don’t want to order and retrieve from Mishawaka’s store. Maybe you live in darkest Chesterfield, Missouri. Then replace “131” above – the Mishawaka store’s number – with the “120” pertaining to Chesterfied’s store.

https://www.hpb.com/search?q=Agatha+Christie&prefn1=instorePickUpAvailableStores&prefv1=HPB-120&prefn2=rareFind&prefv2=No&srule=recently-added&sz=80

Voilà.

(The “store finder” page is here.)

R.I.P. Dr. Root, acquisitions librarian

His obituary is here.

I knew him best as the director of Bethel’s library, in which capacity he employed me as his student assistant. I also took a course from him, on Russian history.

He was very kind to students, as the following examples will show.

(i) He got back in touch with me in 2018 and urged me to finish writing my long-overdue dissertation. He was hardly the first person to urge this. But his intervention did the trick. He asked to read what I’d written so far, and he commented on a number of sections.

After this jump-start, I wrote regularly. I completed the Ph.D. the next summer.

(ii) A college acquaintance told me, long after the fact, that he and other young bucks once rashly denounced the quality of Bethel’s library holdings, in a letter posted on the “Wittenburg Door.”

(The “Wittenburg Door” was a cafeteria bulletin board. It was the college’s most picturesque – and cringeworthy – public forum.)

Dr. Root invited the young bucks to his office. He treated their concerns seriously and graciously, solicited advice, and ordered books they asked for. Little did they know, the library’s resources were severely constrained. Dr. Root didn’t complain of this to students; even I, his assistant, learned it from other sources.

♦ ♦ ♦ ♦ ♦

In his dress and in his politics, Dr. Root was a 1970s conservative. He hung a large portrait of Nixon over his student workers’ desk. Bold! But he didn’t do it to taunt the libs; that wasn’t his way. He genuinely admired Nixon’s statesmanship.

He grieved – privately, to me, at least – that the Republican Party, which he staunchly supported, had turned Trumpist.

He venerated missionaries. One of his pet projects was the indexing of Jim Elliot’s journals. I worked on this, occasionally, when there was nothing else to do; it was a relief when Jim and Betty finally tied the knot and Jim got courtship off his mind.

Dr. Root spent his life in midwestern towns and cities and shared his midwestern pleasures with his student workers. The end-of-term banquets were especially generous: I still savor the memory of one of them, an Amish dinner in the countryside. The summer workers were treated to daily donuts and the occasional lakeside outing; we’d observe a surprisingly lively Dr. Root playing volleyball and croquet. I was amused, too, when he’d return with stories of his holidays. Sometimes, he’d go abroad; usually, he’d stay in a friend’s Manhattan penthouse. For a few days each year, he’d change into a wild baseball- and theatre-goer, sushi eater, and book buyer. Book buying was his job, of course, but he relished the hunt.

It occurs to me that my time helping him to buy books for the library was what made me the habitual bargain hunter I am today.

Then again, he may have chosen me as his student worker because he already perceived that tendency. One day, he invited me into a back office to take what I wanted from the surplus of donated books. He must have liked the gusto with which I went about choosing, because that was when he offered me my job – much of which would consist of filling out forms from bargain book catalogs.

There’s a scene in Evelyn Waugh’s Decline and Fall in which the ne’er-do-well Captain Grimes is offered his dream job of traveling from pub to pub to sample and rate the beer. (He has to turn it down for personal reasons, of course.) Something comparable, involving low-budget book buying, might have been my ideal job – the realization of my “true self.” Dr. Root did that job. Lucky man! I’m glad I was able to do it with him for a time.

1996, the best year in movie history, pt. 82: Babe

This is a tale about an unprejudiced heart, and how it changed our valley forever.


My grandpa liked this movie.

I do, too. I always did.

It was the first movie I ever rooted for at Oscar-time, in 1996. It shoulda won! But since when do “talking animal” movies win? Jim Henson could have made Maus with Roman Polanski or Steven Spielberg and it still wouldn’t have won Best Picture, not even with a lead performance by Adrien Brody (or Tom Hanks, or Daniel Day-Lewis …).

Ah, well. We can bestow humbler laurels upon Babe.

♦ ♦ ♦ ♦ ♦

To begin with: this is the best “talking animal” movie, physically speaking. The sheep, the duck, and Babe the Pig himself are especially convincing. They move their mouths, but they also talk with their bodies. You understand them at a glance, even when they’re silent. They’re always emoting – twitching with nervous energy – like George C. Scott or Toby Jones.

And they’re not always comical; they have range. What is sadder than this sheep?


Then, scenically, there’s what I think of as the “Kennedy Miller” look. KM is the Australian company responsible for the Mad Maxes and John Duigan’s two great pastoral movies, The Year My Voice Broke and its sequel, Flirting. Babe is KM’s most famous export.

The specific visual quality I have in mind has less to do with Babe’s immediate setting – a cutesy farm, the kind on supermarket packaging – than with skies, weather, and natural light. The KM signature shot is of mist rising over hills at dawn, or of clouds hanging over hills in the afternoon.


“A thing of beauty is a joy forever.”

Indeed, because this is such a joyful movie – with the feel-good ending of a sports flick, to boot – it’s easy to overlook its harshness. For it is harsh. Harshness is more overt in the sequel, Babe: Pig in the City; but the first movie has plenty.

♦ ♦ ♦ ♦ ♦

Perhaps the clearest way to indicate the harshness of some of the movie’s currents is to trace those same currents elsewhere.

Babe is as non-kosher as can be. Even so, he’s a kindred spirit to Isaac Bashevis Singer’s creation, Gimpel the Fool.

Like Gimpel, Babe is an innocent soul,
reliable, beyond suspicion, and – above all – extremely gullible.
But what really couples Gimpel and Babe is that each of them – gullible from birth – comes to accept rather than overcome this condition. This is a consequence of a deliberate, principled refusal to condemn others.
The pig promised himself that he would never think badly of any creature ever again.
Which is radical. What kind of protagonist would actually live this way? Only a creature ripe for exploitation.

To view the problem a little differently, consider: Does Singer approve of Gimpel?

I’m inclined to think that he does. But then I myself, with my pacifist leanings, am likely to confuse a willingness to be treated as a doormat for a kind of heroism.

Singer’s tale drips with irony. Arguably, much of it lands on Gimpel. Lovable as Gimpel is, just about everything goes wrong for him.

He dies a beggar’s death, pining for the afterlife:
No doubt the world is entirely an imaginary world, but it is only once removed from the true world. At the door of the hovel where I lie, there stands the plank on which the dead are taken away. The gravedigger Jew has his spade ready. The grave waits and the worms are hungry; the shrouds are prepared – I carry them in my beggar’s sack. Another schnorrer [beggar, sponger] is waiting to inherit my bed of straw. When the time comes I will go joyfully. Whatever may be there, it will be real, without complication, without ridicule, without deception. God be praised: there even Gimpel cannot be deceived.
Which is paralleled in Babe:
There was a time not so long ago when pigs were afforded no respect, except by other pigs; they lived their whole lives in a cruel and sunless world. In those days pigs believed that the sooner they grew large and fat, the sooner they’d be taken into Pig Paradise, a place so wonderful that no pig had ever thought to come back.
Babe himself, through his good fortune and actions – he learns, by talking to sheep, to herd them – will escape the knife. But pigs generally do not. This is driven home to Babe by a cruel and jealous cat:
[Cat:] “You know, I probably shouldn’t say this, but I’m not sure if you realize how much the other animals are laughing at you for this sheepdog business.”

[Babe:] “Why would they do that?”

“Well, they say that you’ve forgotten that you’re a pig. Isn’t that silly? And they even said that you don’t know what pigs are for.”

“What do you mean, ‘what pigs are for’?”

“You know, why pigs are here.”

“Why are any of us here?”

“Well, the cow’s here to be milked, the dogs are here to help … with the sheep, and I’m here to be beautiful and affectionate. …”

“Yes?”

“The fact is that pigs don’t have a purpose. Just like, ducks don’t have a purpose. … Why do the Bosses keep ducks? To eat them. So why do the Bosses keep a pig? The fact is that animals that don’t seem to have a purpose really do have a purpose. The Bosses have to eat. It’s probably the most noble purpose of all, when you come to think about it.”

“They eat pigs?”

“Pork, they call it. Or bacon. They only call them pigs when they’re alive.”

“But, uh, I’m a sheep pig.”

“[They’re] just playing a little game with you. Believe me, sooner or later, every pig gets eaten. That’s the way the world works. Oh, I haven’t upset you, have I?”
This plunges Babe into despair. But is he sad for himself, or for his race? Does he really expect to be killed – and, even if he does, is that the main cause of his grief, given the expectation of Pig Paradise?

Or does he grieve that his kind is of no value to his Boss – whom he loves – beyond providing material for the crudest exploitation?

Answering these questions requires attending to what lifts Babe from his depression. The farmer (James Cromwell) – strong, silent, singularly inarticulate – nurses him, and brings himself to sing to him:
If I had words
To make a day for you
I’d sing you a morning golden and true
I would make this day last for all time
And fill the night deep in moonshine
That is: If I could tell you, Pig, I’d tell you that your life is dear to me, that you are dear to me alive, alive forever.
That’ll do, Pig
he tells Babe in the end. Well done, good and faithful servant.


For Babe, words worth living for. Babe, the innocent one, as innocent as a babe, his Boss’s dear babe.
What did your mother call you, dear?
a sheepdog asks him.
She called us all “Babe.”
We are all babes; all others are our parents. Babe obtains two adoptive mothers, natural enemies to one another: this sheepdog; and Ma, a sheep.
This is a tale about an unprejudiced heart, and how it changed our valley forever.
It all hangs together, you see.

Have a blessed new year.

Carte blanche

Arguably the best tactical formation: the old 1⁠-⁠4⁠-⁠3⁠-⁠2⁠-⁠3⁠-⁠2.


One could make a case for adding a “9” (false nine) between S and CF who drops back just in front of, or even behind, AM.

It is now fashionable to use ILBs and IRBs (“inverted” left- and right-backs). I don’t see the need; I should think others could cover the space.